To attempt an
analytical evaluation of Beaufort London’s latest release would be to entirely miss
the proverbial forest for the trees.
Lignum Vitae
presents a singular olfactive portrait whose subject I could never have
imagined judging by its name. Equally surprising is just how uncannily realistic its interpretation of this
theme is.
Want a hint?
Ok: Proust.
Got it?
Yup; Lignum
Vitae offers a remarkable simulacrum of the smell of petites madeleines – those small, scallop-shell shaped sponge cakes
that have become a virtual by-word for involuntary reminiscence (parenthetically,
it was only in Proust’s third draft of À la recherche…that he decided upon
madeleines; previous drafts attest to biscotti and honey on toast). From
accurately capturing the zestiness of lemon and lime drizzle to the sweet
breadiness of the cake itself, the un-named perfumer (shame) has achieved something
very clever indeed.
All of this though, rather leaves me scratching my head:
Firstly, I just cannot reconcile the perfume with the
brand’s nautical aesthetic, nor the début trio in the ‘Come Hell or High Water’
line which Lignum Vitae apparently joins. Secondly, the name. Lignum Vitae is
synonymous with Guaiacwood, and while this oil does have a sweet milky quality
that can work very well in gourmands, one is here effectively led to expect a
soliwood (cf. Carner Barcelona’s Palo Santo), not an afternoon accompaniment to
tea. Thirdly, the mental gymnastics required to get from the brand’s own description
of the perfume as being ‘inspired by the
innovative use of materials that allowed 18th Century clockmakers to construct
the first accurate marine chronometers’ and combining ‘elements of wood, metal
and salt’ to what emerges from the bottle is just too exhausting (lignum
vitae > chronomoter > time > À la recherche du temps perdu >
petites madeleines). It’s almost as if the formula existed before the brief.
Nose: Unknown
House: Beaufort London
Release date: 2016
Notes (per Fragrantica): this perfume has no entry at the
time of posting.
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